Fragments of Vision
Fragments of Vision is a personal collection of visual choices that resonate with me — across design, art, fashion, and beyond.
Each piece reflects something I value: tone, atmosphere, structure, detail, or feeling.
Together, these fragments offer a glimpse into how I see, what I’m drawn to, and where my creative instincts begin.
Photographer: Dominique Issermann
1984
Elle
Photographer: Norman Parkinson
1950
Vogue
Photographer: Cecil Beaton
1946
Frederick H. Evans
The Sea of Stairs
1903
I love how something solid, like rock stairs, can be portrayed and perceived as fluid, as if it has the movement and turbulence of the sea.
Photographer: George Hoyningen-Huene
1936
Madame Gres
Photographer: Unknown
2006
Bulgari
Photographer: Lillian Bassman
1950
Johannes Vermeer
Woman holding a balance
1664
There's one thing that catches my eyes: how it looks like she is holding the light beam with her fingers, rather than the balance.
The balance is hardly visible, as are the other precious objects on the table, instead, the attention is drawn to the way the light and the woman, her fingers, interact. It doesn’t leave the impression that the painting is about the gold and jewelry on the table, but rather the delicate light and movement.
Photographer: Harry Meerson
1949
Dior
Photographer: Unknown
1958
Balmain
Photographer: Unknown
Balmain
Edmund Charles Tarbell
The blue veil
1898
While looking at the painting, I feel distance, alienation, and melancholy. Even the wind lifting the veil carries a coolness, as if I, too, feel the breeze. The semi-transparent veil feels like a fragile barrier, adding to the distance between us and her, yet it lets us peek into her character.
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Also, I love how her eyes aren’t completely visible. We can only see the shadow around her eyes and the general shape of that area, but not the eyes themselves.
Photographer: Jacques-Henri Lartigue
Date: Unknown
photographer: Man Ray
1927
Georges de La Tour
Flea Catcher
1632-1635
Pete Sherrard
Lull
2011
I love looking at her calm, resting face, and the close shot makes me feel closer to her soothing nature.
She feels safe, and looking at her brings me an immense sense of peace and comfort. She's holding herself, being vulnerable and peaceful at the same time.
Rembrandt
Philosopher Reading
1631
Photographer: Cecil Beaton
1955
Alfred Stevens
Woman's Head, Back View
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